Friday, December 24, 2010

It's no earth-shaker to say that Motown is the greatest pop and/or r&b record label. If you look at the list of artists they produced, and the number and variety of hit records they made, or more simply, if you listen to the quality of the writing, the arranging, the singing and the playing that these recordings contain, it's hard to find a candidate around which you could build an argument to the contrary. (I'll be writing about two that could be considered as challengers, Atlantic and Stax-Volt, in the days ahead.) No, the unbelievable success, both artistically and commercially, that the label achieved is a given; what has to be explored is how they did it and what the story can teach us.
A good place to start for anyone who wishes to do so is the film, Standing in the Shadows of Motown (2002), which tells the story of the label from the perspective of the musicians. The central cast of whom were known as the Funk Brothers, accomplished jazz musicians playing in clubs around the Detroit area who were recruited by label founder Berry Gordy to form a session band which could record in a number of styles at a rapid rate, with a high level of quality and, perhaps most importantly, with the capability of making on-the-spot creative contributions to the songs. And the plan worked. Because of them, the interaction that is heard on the records is at a level much higher than that heard on any other pop or r&b recordings (right up to and including the present, to my ears). Their ability to process information and to play with rhythmic power as well as high degrees of sensitivity and subtlety came from their jazz backgrounds, where these qualities are expected.
A few days ago, I wrote that many of the best bands were racially integrated, which the Funk Brothers were as well, and proudly so. And yesterday, in writing about the Foundations, I mentioned that they were integrated in terms of both race and age. Motown could be considered as having gone even a further step, in a way, by integrating high-level jazz musicianship with equally excellent pop/r&b songwriting, singing and performing. The results sound like this: http://www.youtube.com/watch?v=Xz-UvQYAmbg.

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